Houston’s Museum of Printing History was founded in 1979 by Raoul Beasley, Vernon P. Hearn, Don Piercy, and J. V. Burnham, four printers with a passion for preserving their various printing-related collections and sharing them with the community. Chartered in 1981 the Museum had its official opening in 1982 with Dr. Hans Halaby, Director of the Gutenberg Museum in Mainz, Germany, cutting the ribbon. The mission of the Museum is to promote, preserve, and share the knowledge of printed communication and art as the greatest contributors to the development of the civilized world and the continuing advancement of freedom and literacy. It does this through an active, on-going exhibitions program, and a series of book arts workshops (The museum suffered a fire a year or two ago, but it appears that things are now back to normal).
I met with Museum Curator Amanda Stevenson to talk about the collection. During our conversation she delivers a very informative thumb-nail sketch of how relief and intaglio printing techniques work. Listen here
More recently I visited the tiny Musee de la Typographie in Tours, France. While it may be small, it’s full of all sorts of different kinds of old printing equipment and tools, typefaces, woodcuts and handmade paper. The owner/manager is incredibly enthusiastic about the enterprise. Muriel Méchin lovingly toured me through his museum, showing me, among other things, a compositor tool called a Moule à Arçon a hand-held individual character casting device that was a forerunner of the Monotype machine. He actually let me handle some of the exhibited items, something most museums forbid. Here’s my conversation with Jean Louis Maitre.
Printing museums, big and small, definitely rank high on many Literary Tourists’ ‘to do’ lists. Here’s a list of some you’ll find, mostly in Europe. And another that covers the rest of the world.
Better known for its wines, the perfection of its local spoken French, its cathedral and chateau, the city of Tours France also has a surprisingly rich historical connection with printing and typography. I was in Tours recently and visited the Musee de la Typographie.
It may be small, but it’s full of all sorts of different kinds of old printing equipment and tools, typefaces, woodcuts and handmade paper. As one visitor put it:
“Muriel Méchin, the owner takes you on a personal discovery tour of his museum, including printing off some examples for you to take home on a press from the 1800s. I have been to many printing museums, but this is the first I have found that contains compositors tools such as the Moule à Arçon, a hand-held individual character casting device, that was the forerunner of the mechanical Monotype and Linotype machines hundreds of years later.You can actually handle many of the exhibits which most museums forbid.
Muriel has published a very informative book which we were able to purchase; it is chock full of historical information and illustrated with photos and drawings explaining the history of a most interesting industry that goes back many hundreds of years. The museum is free.”
Since Muriel doesn’t speak English, I sat down with his colleague Jean Louis Maitre to talk about the museum and the fascinating printing history of the region.
If you like English spoken with a thick French accent, you’ll love listening to Jean Louis.
For information on visiting Tour, click here.