Approach the New York Public Library from the east and walk along 41st Street. You’ll have a perfect view of the library and you can stop, lower your gaze to the pavement, and read some inspirational quotes about reading, writing, and literature along the way. Like this one by Virginia Woolf:
Victor Hugo lived on the second floor of the Hôtel de Rohan-Guéménée in Paris from 1832 to 1848. He wrote some of his major works here, including a large part of Les Misérables…and received, among many friends, Lamartine, Vigny, Dumas, and Gautier, along with other noted writers and artists. But he didn’t just dine with them. Apparently he had peepholes installed into guest bedrooms so he could watch their amorous activities. Hugo in fact did more than watch. His mistress Juliet estimated that in one two year period he had sex with more than 200 different women.
The 5/6 room apartment at Place des Vosges presents three separate periods in Hugo’s life: before, during and after exile in Guernsey. You’ll find displays of the gothic furniture he designed, family portraits, memorabilia and some astonishing interior decoration he designed during his exile. There are temporary exhibitions of his photographs and drawings, and first editions of various famous books he wrote. A library is open to the public by appointment. The museum organizes talks in the apartment, and provides guided tours. Plus, entry is free. A visit here gives you a sense of what a multi-talented colossus the man was!
I interviewed Lauren Elkin about her new book Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London at her apartment in the Belleville neighbourhood of Paris. It was an interesting conversation. The more I think about it, the more the Flaneur/Flaneuse and the Literary Tourist seem alike, particularly when it comes to use of the imagination.
Top Withens, the ruin on the moors near Haworth that inspired Wuthering Heights
This from David Herbert’s paper LITERARY PLACES, TOURISM AND THE HERITAGE EXPERIENCE, published in the Annals of Tourism Research, 2001. Herbert is Emeritus Professor of Geography at University of Wales Swansea:
“In these places, a visitor can still walk out of a house and into landscapes which have barely changed since the writer drew breath from them and breathed literature into them… We walk in our writers’ footsteps and see through their eyes when we enter these spaces (Marsh 1993:xi, xv).
Second, tourists may be drawn to literary places that form the settings for novels. Fiction may be set in locations that writers knew and there is a merging of the real and the imagined that gives such places a special meaning. Fictional characters and events often generate the strongest imagery. Pocock showed that tourists to Haworth sought out the moors but emotions in crossing them were suffused “less with the excitement of treading in the Brontes’ footsteps, than with the thought that Heathcliff might appear” (1987:138).
Third, tourists may be drawn to literary places for some broader and deeper emotion than the specific writer or the story. Squire (1993, 1994) exemplified this with her research into Hill Top Farm, a former home of Beatrix Potter, in Cumbria. Many tourists were evoking memories and emotions from their childhood: their recall was of the telling of the stories and their bonds with home and family. In a similar way, G. Davies (1995) recorded the significance of the story Evangeline to the Acadian people of eastern Canada. For them, she argued, the story, as depicted in Longfellow’s poem, evoked memories of suffering and the loss of a home territory.
The fourth reason may be less concerned with the literature than with some dramatic event in the writer’s life. Van Gogh was an artist rather than a writer but Millon (Office de Tourisme, Auvers-sur-Oise, personnal communication in 1993) commented that many people visited Auvers-sur-Oise near Paris because of its association with the manner of the artist’s death rather than with his art.”
If you’d like information on Haworth and Bronte country, click here.