[dropcap]I[/dropcap] never visit the Plantin Museum at Antwerp without feeling that I have come closer to the master-printers and their ideals. Here is the only great printing establishment of the past that time and the inroads of man have left intact. The beauty of the building, the harmony of the surroundings, the old portraits, the comfort yet the taste shown in the living-rooms, – all show that the artist-printer sought the same elements in his life that he expressed in his work. Entering from the Marche du Vendredi, I find myself face to face with a small tablet over the door on which is the device of Christophe Plantin, “first printer to the King, and the king of printers.” Here the familiar hand, grasping a pair of compasses, reaches down from the clouds, holding the compasses so that one leg stands at rest while the other describes a circle, enclosing the legend Labore et Constantia. Within the house one finds the actual type and presses, and designs by Rubens and other famous artists, that were employed in making the Plantin books. The rooms in which the master-printer lived make his personality very real. In those days a man’s business was his life, and the home and the workshop were not far separated. Here the family life and the making of books were so closely interwoven that the visitor can scarcely tell where one leaves off and the other begins.
William Dana Orcutt, In Quest of the Perfect Book (Little Brown, 1926)
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